Takasago & Between the Stones

2 - 2 February 2020
Tickets: €12-€25

Afternoon demonstration talk: Hideta Kitazawa 4.30pm

Evening Performance: Takasago & Between the Stones 7:30pm

A rare and unique programme of classical and contemporary noh to celebrate Japan Season of Culture in the year of the 2020 Tokyo Olympics. Noh is a highly aesthetic classical Japanese theatre style featuring dance, music and poetry.  Acclaimed artists Teruhisa and Kinue Oshima, and Akira Matsui collaborate with Jannette Cheong and Richard Emmert once again in celebration of the 2020 Japan Season of Culture. 

The programme: 

Takasago, written by Zeami, is one of the most important and well- known plays in the classical noh repertoire. It deals with the legend of the twin pines of Sumiyoshi and Takasago. According to legend, the spirit of the Sumiyoshi pine travels across Osaka Bay nightly to visit his wife, the Takasago pine, in a bond that transcends space and time. Takasago will be performed as han-noh, literally a “half noh”, featuring the very quick and strong second half of the play. 

Between the Stones, is the third collaboration between author Jannette Cheong and founder of Theatre Nohgaku, Richard Emmert, and the second co-production with Unanico. The lead role will be played by Kinue Oshima, the only professional female noh actor in the Kita school. 

Kinue Oshima was also the lead actor in the first Cheong-Emmert collaboration, Pagoda (2009) - the first time that the Oshima Theatre and Theatre Nohgaku worked together on joint production. Pagoda had its world premiere at the Southbank Centre in 2009 and went on to tour Dublin, Oxford and Paris and then opened at the National Noh Theatre in Tokyo in 2011 and toured to Kyoto, Beijing (at the National Centre for the Performing Arts) and Hong Kong. Pagoda was the first time for a British artist to write new contemporary noh using classical techniques. 

Mask Maker Kitazawa has been making masks for both classical and contemporary noh for more than two decades. He has had a special relationship with Richard Emmert and Theatre Nohgaku for much of this period, and also for the last 10 years with Jannette Cheong.

Mask maker and Shinto Temple carver, Hideta Kitazawa, chose to follow in his father’s footsteps and became a second-generation woodcarving artist. In 1991, after graduating from the Tokyo University of Agriculture and Technology with a major in Forestry Studies, he went on to begin intensive woodcarving studies with his father Ikkyou Kitazawa. Since then, he has been the recipient of a number of awards, including the ‘Outstanding Young Artisan Award’ for Tokyo in 1997, and the Yokohama, Noh Drama Theatre Director’s Prize in 2003.